This shouldn't come as a surprise, for a well-written novel does not guarantee or necessarily translate into a good movie. More so for Gabriel Garcia Márquez's work, for its beauty lies in the writing, not the story. It is through Márquez's words and descriptions that a poignant story is told, his sensitivity and insight into humanity conveyed.
His sentences are often long but always thoughtful, and he uses dialogue sparingly but always with purpose and to heightened effect whenever employed. And he likes to dwell on the passage of time, perhaps because it elicits the constant that is love, no matter its form or manifestation.
Above all, his ruminations on love are moving, sometimes they astound even, somewhat like how one moves appreciatively along in an art exhibition and comes across a piece that silently stirs one's heart, because it conveys something that resonates in you. Here is one such passage:
She clung to her husband. And it was just at the time when he needed her most, because he suffered the disadvantage of being ten years ahead of her as he stumbled alone through the mists of old age with the even greater disadvantage of being a man and weaker than she was. In the end they knew each other so well that by the time they had been married for thirty years they were like a single divided being, and they felt uncomfortable at the frequency with which they guessed each other's thoughts without intending to, or the ridiculous accident of one of them anticipating in public what the other was going to say. Together they had overcome the daily incomprehension, the instantaneous hatred, the reciprocal nastiness and fabulous flashes of glory in the conjugal conspiracy. It was the time when they loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity. Life would still present them with other mortal trials, of course, but that no longer mattered: they were on the other shore.
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